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PROPOSED PROJECT

Voiceover & Dubbing Production

Adapt films about your products and ideas for your audience in additional languages, with reviewed terminology, licensed voices, and a finished audio mix.

DUBBING / ONE BOOKING EXPLAINER

Same instruction. A natural voice in each language.

English source
Spanish + Filipino targets

EN / Source / English
Choose your date, review the details, and confirm your booking.
ES / Spanish / review draft
Elige la fecha, revisa los detalles y confirma tu reserva.
FIL / Filipino / review draft
Piliin ang petsa, suriin ang mga detalye, at kumpirmahin ang booking.
Authored script drafts and decorative waveforms. No audio has been generated or recorded. The target-language wording requires native-language review and an authorized voice before production.

The project in practice.

Adapt films about your products and ideas for your audience in additional languages, with reviewed terminology, licensed voices, and a finished audio mix.

WHAT IS USUALLY DONE

Voiceover in another language requires separate scripts, recordings, timing changes, and approval rounds. Literal translations can sound unnatural or no longer fit the edit.

WHAT SOVRUN CAN DO FOR YOU

Sovrun would scope two additional language versions of a film about your products and ideas, checking how your audience describe the relevant terms in each market. Native-language reviewers adapt the script, the team auditions permitted synthetic voices, and editors align the selected narration with the picture and captions.

Fit the meaning
to the picture’s timing.

The example shot allows 12 seconds. An illustrative first Spanish read lasts 13.4 seconds; a revised candidate is budgeted at 11.2 seconds. The team rewrites and auditions the line instead of simply speeding it up. The Filipino candidate is budgeted at 11.6 seconds.

Picture window12.0s
Spanish first read13.4s
Spanish candidate11.2s
Filipino candidate11.6s

One common 0–14 second scale. Timings are illustrative planning values, not measurements from audio.

APPROVE BEFORE THE FINAL MIX

Native-language reviewers check meaning, pronunciation, and tone. The voice must be licensed for the intended use. Align the accepted narration with picture and captions, then review the full mix so a correct isolated line does not hide a bad transition.

Two language versions.
One coherent film.

The commissioned delivery includes two adapted scripts, two complete dubbed versions, and matching captions with pronunciation notes. The boards below show the planned handoff.

ES + FIL / SCRIPT PACKAGE

Keep all three actions.

Choose date
Required meaning
Review details
Required meaning
Confirm booking
Required meaning
Local wording
Native-language approval
01 / Two reviewed adaptation scriptsBoth target versions retain the date, review, and confirmation actions while being reviewed for natural phrasing.
12.0s PICTURE / PLANNING

Room for the delivery.

Spanish candidate
11.2s / 0.8s spare
Filipino candidate
11.6s / 0.4s spare
Voice use
Licensed scope
Final audio
Not produced in this study
02 / Two finished language mixesThe final timing is checked against the actual picture; the displayed margins are planning examples.
LANGUAGE HANDOFF

Sound and text agree.

Captions
Match the approved script
Names + terms
Pronunciation notes
Picture alignment
Full-version review
Delivery
Mixed films + caption files
03 / Captions and pronunciation notesApproved wording, term pronunciation, and timing accompany both films so later updates can be checked.

How we’d make it happen.

  1. Adapt

    Review meaning and adjust the script to fit the available screen time.

  2. Voice

    Audition authorized voices and correct pronunciation before final synthesis.

  3. Finish

    Align narration and captions, then mix and review each complete version.

Where AI helps

Speech synthesis produces draft and approved narration using licensed voices. AI helps with timing and subtitle drafts; voice cloning requires the speaker’s explicit permission.

What people approve

Native-language reviewers approve meaning, pronunciation, and tone. Sound editors check timing, levels, and the final mix.

What we’d need to start

  • Approved source film and script
  • Target languages and terminology
  • Licensed voice options and usage scope

How we’d test it

Have native speakers review naturalness and accuracy, and verify that captions and narration match the approved local script.

DISCUSS THIS PROJECT

This is a proposed project, not completed client work. The visuals and numbers show example outputs, not measured results.