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CAMPAIGNS & CONTENTIllustrative production example

PROPOSED PROJECT

Campaign Storyboards & Rough Cuts

See how a campaign for your products and ideas would look before filming: illustrated scenes and a rough video showing the story, timing, and what your audience would see.

CAMPAIGN PLAN / SELECTED ROUTE A

A morning, in three deliberate shots.

15-second rough-cut plan
4 + 5 + 6 seconds

Illustrative ready to leave campaign frame
S01 / 00:00–00:04Ready to leave

Move toward the bag on the station bench.

Illustrative keys within reach campaign frame
S02 / 00:04–00:09Keys within reach

Show the keys going into the front pocket.

Illustrative on with the day campaign frame
S03 / 00:09–00:15On with the day

Follow the wearer toward the platform.

AI-generated planning frames, not footage or a completed rough-cut video. Product details and continuity remain subject to an approved reference and production review.

The project in practice.

See how a campaign for your products and ideas would look before filming: illustrated scenes and a rough video showing the story, timing, and what your audience would see.

WHAT IS USUALLY DONE

Teams approve a campaign from a moodboard, then discover disagreements about the story during the shoot or edit. Early references often do not show how the actual product fits.

WHAT SOVRUN CAN DO FOR YOU

Sovrun would develop two campaign ideas around your products and ideas, showing how each could help make your brand easier to understand and choose. We would turn the chosen idea into illustrated scenes and a rough video showing the timing. A production plan explains which shots need filming, 3D, or AI, and which need further tests.

Compare the story
before making the shots.

Route A follows a short morning journey: the ready bag, the useful front pocket, and the wearer leaving. Route B would stay on a tabletop, arranging daily objects into the bag one by one. This example develops Route A for its clear move from product detail to use.

ROUTE A / DEVELOPED HERE

Ready, then out.

Place → useful detail → journey. The front pocket earns its moment through a simple action with keys.

ROUTE B / ALTERNATIVE

Pocket by pocket.

A fixed overhead camera follows daily objects into their places, finishing on the organized bag.

S014s

Ready to leave

S025s

Keys within reach

S036s

On with the day

A PLAN FOR MAKING IT

Use current image and motion models to test the shot idea, then choose the right production method per scene. The hand-and-pocket action needs a practical or tightly controlled product shot. Keep zipper placement, fabric, silhouette, and straps consistent; do not treat generated continuity as approved by default.

A campaign the team
can agree on before production.

The first project includes two ideas, the selected illustrated sequence and rough timing, and a shot-by-shot production plan. A commissioned rough cut would add motion and temporary sound.

Planned front-pocket key action
S02 / 00:04–00:09

Show the useful detail.

01 / An illustrated selected sequenceThe three frames show what the audience sees and why each shot belongs in the story.
ROUGH CUT / PLANNED

Give every shot its time.

S01 / Ready to leave
00:00–00:04
S02 / Keys within reach
00:04–00:09
S03 / On with the day
00:09–00:15
Total
15 seconds
02 / A continuous 15-second edit planThe planned intervals meet without a gap or overlap and total exactly 15 seconds.
PRODUCTION / NEXT DECISIONS

Choose the method per shot.

S01
Location plate + controlled product reference
S02
Practical hand-and-product detail shot
S03
Consented performer + approved product
Continuity check
Product shape + pocket details
03 / A shot-method and review listThe producer can budget the actual work and identify what needs a test before filming.

How we’d make it happen.

  1. Interpret

    Translate the brief into two different narrative approaches.

  2. Visualize

    Test key moments with the actual product references and assemble the rough sequence.

  3. Decide

    Approve the route with a clear shot plan before commissioning final production.

Where AI helps

AI helps explore the look of each scene and create rough movement. The resulting video is a planning preview that lets the team discuss the idea before making the finished ad.

What people approve

A creative director selects and sequences the frames. A producer reviews the proposed shot methods and unresolved production risks.

What we’d need to start

  • Launch objective and approved details of your products and ideas
  • Placement lengths and budget range
  • Reference work and requirements for brand accuracy, accessibility, and responsible data use

How we’d test it

Check whether the team can agree on the story, visual style, and production requirements from the illustrated scenes and rough video.

DISCUSS THIS PROJECT

This is a proposed project, not completed client work. The visuals and numbers show example outputs, not measured results.